This book is out of print. The site is maintained as an historical reference.                                         Published by Borealis Press, 1979

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Comments since July 26, 2007

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January 3, 2006

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Text Box: The Primitive

Something in his blood
is untouched by time.
For painters like him
colour is pigment,
flesh is earth,
movement and dead stop are energy.
Special nerves run through the arm
from eye to hand.
Each line drawn flexes a muscle.
The brush strokes a nude thigh
like his hand, carrying a blush
along the line of her hip.
Mud flows in the veins of this throwback,
mud the colour of sky and earth,
mothers and fathers,
or trees and shaggy beasts.
They all run on a path behind his eyes.
He plucks them out to place on the canvas.
Flowers and sappy roots are crushed in oil
to make the blood of animals on a cave wall.
Pigment and oil rage and bleat under steady hands
and fine-pointed tools.
The beasts caught in the amber glaze
bellow, undying.
This man speaks another language.
He is a linguist with his hands.
The painter evolves from time unremembered,
two of the organs in his body unchanged
though his hands have discovered miraculous things.
The muscle in his throat
he considers useless as the appendix
though sometimes he uses it
to grunt or sing.
Anything between is wasted energy.
The paint speaks.
Text Box: This is a poem from To A Young Horse by Sharon Berg (1979) Borealis Press, Ontario, Canada

                       © 2005 Sharon Berg      Web Design by Sharon Berg          Last update: July 27, 2007

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